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The Morning After
Ingrid Michaelson looks beyond her overnight success
By Sean Nelson Special to MSN Music
If you've spent much time watching television in the last year, chances are
good you've heard Ingrid Michaelson's music. Neither revolutionary nor
formulaic, this 28-year-old pop songsmith's craft bears comparison to many of
her female contemporaries and forebears: Fiona Apple, Lisa Loeb, Regina Spektor and Juliana Hatfield have all been mentioned. But
something about Michaelson's music — the deft melodies, the spare, smart lyrics,
the deceptive simplicity — stands out from the pack.
At least that's what the music supervisor of "Grey's
Anatomy" thought. The romantic drama has proven to be a proving ground for
indie artists, and Michaelson is the ultimate example. No fewer than four of her
songs were featured on the third season of the popular prime-time drama,
including one original, "Keep Breathing," that was commissioned specifically for
the show. Of the four, the righteously love-struck gem "The Way I Am," has
become the standout — so much so that Old Navy licensed it for use in a new
national ad campaign. And now it's a bona fide hit. (And selling well enough in
this age of sagging record sales to land her on the cover of Billboard.)
Time was that breakout independent artists had to rely on radio airplay (if
they were lucky) and word of mouth (if they were good) to build a following.
Now, Michaelson, who is both good and lucky, and who was teaching in a
children's theater a year ago, has things working the other way around. Radio,
along with VH1, who never heard of her self-produced, self-released album,
"Girls and Boys" when it came out last fall, are running to add it to their
rotations. And word of mouth is following her sold-out personal appearances.
She's on tour through mid-April at least, and from the looks of things, a lot
longer than that.
She talked to MSN Music on the phone from San Francisco, after a morning of
radio interviews and performances, en route to another sold-out show.
MSN Music: Before all this stuff happened, what was your dream
scenario for life as a musician. Was it like this?
Ingrid Michaelson: Well I was directing a children's theater
group, so I kind of thought that making a record that I was proud of and write
songs that I loved and put it out into the world and see what happened. And I
pressed a thousand copies. I thought it would be awesome if something happened
with it, but it wasn't like I thought my life would end if it didn't.
And when did you become more ambitious?
After I got my first placement on "Grey's Anatomy." People started buying my
records and coming to my shows, and I thought, "Hmmm ... maybe this could take
off."
A lot of bands are jockeying to get those placements, it's true, but
they're still no guarantee of success. Have you given any thought to why your
stuff has been striking such a chord?
I guess it just depends on how prominent the song is, and the words and how
it connects with an audience. My songs really seem to connect with people.
That's the only theory I can come up with. I know plenty of musicians who are
really incredible who never meet with any success. I don't know why. Right
songs, right words, right audience, right time, I guess.
Do you ever feel like you're watching it happen to someone
else?
Oh, totally.
How does touring affect your relationship to your songs. I ask
because your music is about personal things, and people are responding to it so
personally — is it a challenge to maintain a connection to the material night
after night?
It can be. I mean, it's easy for me to start thinking about eight other
things when I'm onstage performing a song. (Story Continues On Next Page...) |